Figure 1: View of Umm ar-Rasas, the roof over the mosaic floor clearly visible |
The floor itself was amazing. The large area of the floor was completely covered with mosaics that were still in a good state. What was interesting to see were the traces Iconoclasm left. Iconoclasm opposed the depiction of humans and animals. On the image below you can see what is left of a some persons. The tiles making up the original persons have been rearranged in a random way, making the persons unrecognisable.
Figure 2: The results of iconoclasm |
Like the day before in Jerash, there were, except for our group, two tourists. Omar, our guide, explained that this was because Jordan is not seen by tourists as a destination on its own. Most tourists travel to Jordan as part of a journey through the whole region, i.e. Syria, Israel, Lebanon, Egypt, but the strife in some of these countries has made this kind of journey impossible.
I briefly mentioned the demonstration effect in the introduction where I said that the host culture takes over aspects of the culture of the visiting tourists.[1] The opposite also happens, as can be seen in our group. Jordan is a conservative country, where people are expected to dress modestly, which everyone does. Also, all of the guys, including me, have bought a keffiyeh - a piece of cloth traditionally worn on the head by the Bedouins - and wear it to protect our head and neck from the scorching sun.
[1] Stephen Williams, Tourism Geography - a new synthesis, 2nd edition, Routledge, 2009